The shiver of the vampires (Le frisson des vampires) is a most unorthodox vampire film; by turns, it is magical, eccentric, poetical, erotic, philosophical and, whenever the vampire cousins are onscreen together, surprisingly funny. It is also unique among vampire films for offering some sort of backstory of warring paganism and Christianity that explains why a vampire would feel revulsion for the sight of a crucifix. Of all Rollin's films, Shiver...

Requiem for a vampire (Requiem pour un vampire) was Jean Rollin's favorite of all his films. Because he dredged the scenario from his subconscious, and because it was rushed into its written form so quickly (Rollin claimed that he wrote the entire script in only two days), he felt it was his purest work. True to Rollin's roots in serials and the Bizarre, the film opens with an action scene already in progress: two women in full clown makeup (Marie-Pierre...

A man driving home late one night nearly hits a beautiful, scantily-clad woman who is running wild in the streets; he takes her back to his apartment, they make love, and he discovers that she has already forgotten where they met. She is rapidly losing her memory, a woman without a past. The amnesiac woman is traced back to a scientific fortress melodramatically known as "The black tower," where people suffering memory and identity loss due to accidental...

In the most personal of Jean Rollin's moody, erotic horror films, a man tries to solve the riddle of a vague childhood memory, which leads him in pursuit of a beautiful vampire, and the revelation of a horrible family curse.

Two female vampires wreak havoc on an unsuspecting English seaside community. Introverted Eleanor and the outgoing Clara both carry secrets from deep in their shared past-all 200 years of it. Shacked up in the seedy Byzantium Hotel, they scheme to keep their secrets from unsuspecting new victims in this seductive, stylish new take on the vampire genre.

Diana Bishop, historian and witch, accesses Ashmole 782 and knows she must solve its mysteries. She is offered help by the enigmatic Matthew Clairmont, but he's a vampire and witches should never trust vampires.

Imprisoned vampire Barnabas Collins is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better and are in need of his protection.

After becoming a vampire, Bella finds her and her daughter's futures threatened by a series of events with potentially disastrous consequences.

When a freak virus kills all but four passengers on an airplane at JFK, Ephraim Goodweather, head of the Center for Disease Control's "Canary Team," is immediately called to the scene. With help from a mysterious Holocaust survivor, "Eph" and his colleague uncover the outbreak's ties to vampirism. Now, the only way to stop the terrifying disease from wiping out mankind is to face its source, a sinister supernatural creature known as "The Master."

Nuclear winter envelopes the planet, and a desperate, weakened humanity, existing only as slave labor for 'The Partnership', is controlled by the bloodthirsty strigoi. Meanwhile, the sinister 'Master' grooms Eph's son Zach to rule the post-apocalyptic dystopia.