Sue Trinder, an orphan raised in a household of thieves, agrees to participate in a scheme cooked up by her mother and a scoundrel known as the Gentleman to cheat naive country gentlewoman Maud Lilly out of her fortune, but everything starts to go wrong when Sue finds herself falling in love with Maud, who, if things go as planned, is headed for an insane asylum.

"Sophie Beckett never dreamed she'd be able to sneak into Lady Bridgerton's famed masquerade ball-or that "Prince Charming" would be waiting there for her! Though the daughter of an earl, Sophie has been relegated to the role of servant by her disdainful stepmother. But now, spinning in the strong arms of the debonair and devastatingly handsome Benedict Bridgerton, she feels like royalty. Alas, she knows all enchantments must end when the clock strikes...

"London, 1887. As the city prepares to celebrate Queen Victoria's golden jubilee, Veronica Speedwell is marking a milestone of her own. After burying her spinster aunt, the orphaned Veronica is free to resume her world travels in pursuit of scientific inquiry--and the occasional romantic dalliance. As familiar with hunting butterflies as she is fending off admirers, Veronica wields her butterfly net and a sharpened hatpin with equal aplomb, and with...

Mr. Thomas Gradgrind, school headmaster in Cokestown, a northern English village beset by industrialism, runs his family and his school with a rigid adherence to facts, but his daughter's loveless marriage, his son's involvement with gambling and robbery, and his encounters with a variety of characters, force him to recognize the value of the human heart.

Read the first-person narrative of Jane Eyre that revolutionized the art of fiction. Jane Eyre explores the thems of classicism, sexism, religion and proto-feminism and follows the experiences of Jane Eyre as she grows to adulthood and falls in love with Mr. Rochester. This digital edition from Xist Classics features a beautifully formatted and professionally proofed version of the original text.

In tracing the parish boy's progress, Dickens did not write a topical satire on the workhouse system and the role of the 1834 New Poor Law in fostering criminality, he created a story about the survival of good, and the exploitation of violence.