The Celluloid Bordello.
(eVideo)
Contributors
Piccillo, Juliana, film director.
Sprinkle, Annie, actor.
Kalamka, Juba, actor.
Brewster Nguyen, Natalie, actor.
De Villiers, Nicholas, actor.
Sprinkle, Annie, actor.
Kalamka, Juba, actor.
Brewster Nguyen, Natalie, actor.
De Villiers, Nicholas, actor.
Published
[San Francisco, California, USA] : First Run Features, 2020., Kanopy Streaming, 2022.
Format
eVideo
Status
Description
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Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Annie Sprinkle, Juba Kalamka, Natalie Brewster Nguyen, Nicholas De Villiers, Sammie Lei, Scarlet Harlot
Date/Time and Place of Event
Originally produced by First Run Features in 2020.
Description
Since the dawn of cinema, sex workers have served as muses to movie-makers. From turn of the century white slavery pictures (The Girl who went Astray, 1900), to iconic rom-coms (Pretty Woman, 1990), to indie hits (Tangerine, 2015), hookers, hustlers, call girls, street walkers, strippers and dommes have been staples of the silver screen. Cinematic sex workers are punchlines, cautionary tales or fantasy figures. They are brutalized, killed off, sometimes rescued and almost always represented as if no sex worker is in theater. Even in documentary films such as Born Into Brothels (2004) or Tricked (2013), reality is distorted by filmmakers (almost always non-sex workers), who are determined to show trauma, violence and pathos rather than the resilience, successes, and thriving communities that are the norm for many sex workers. THE CELLULOID BORDELLO brings sex workers to the theater. With equal parts historical overview, critique, and homage, the film lets real life dommes, escorts, porn stars and hustlers tell you which films they love and which they hate, which get it right and which miss the mark and, most importantly, how perpetuating stereotypes in media affects real peoples' lives.
System Details
Mode of access: World Wide Web.
Language
In English
Citations
APA Citation, 7th Edition (style guide)
Piccillo, J., Sprinkle, A., Kalamka, J., Brewster Nguyen, N., De Villiers, N., Lei, S., & Harlot, S. (2020). The Celluloid Bordello . First Run Features.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Juliana, Piccillo et al.. 2020. The Celluloid Bordello. First Run Features.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Juliana, Piccillo et al.. The Celluloid Bordello First Run Features, 2020.
MLA Citation, 9th Edition (style guide)Piccillo, Juliana,, et al. The Celluloid Bordello First Run Features, 2020.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
0afeb642-82d3-848d-4059-e6fb02e8c391-eng
Grouping Information
| Grouped Work ID | 0afeb642-82d3-848d-4059-e6fb02e8c391-eng |
|---|---|
| Full title | celluloid bordello |
| Author | first run features |
| Grouping Category | movie |
| Last Update | 2022-06-16 00:36:02AM |
| Last Indexed | 2024-06-26 02:10:38AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Feb 9, 2024 |
| Last Used | Apr 9, 2024 |
Marc Record
| First Detected | Apr 25, 2022 02:49:01 PM |
|---|---|
| Last File Modification Time | Apr 25, 2022 02:49:01 PM |
MARC Record
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| 511 | 0 | |a Annie Sprinkle, Juba Kalamka, Natalie Brewster Nguyen, Nicholas De Villiers, Sammie Lei, Scarlet Harlot | |
| 518 | |a Originally produced by First Run Features in 2020. | ||
| 520 | |a Since the dawn of cinema, sex workers have served as muses to movie-makers. From turn of the century white slavery pictures (The Girl who went Astray, 1900), to iconic rom-coms (Pretty Woman, 1990), to indie hits (Tangerine, 2015), hookers, hustlers, call girls, street walkers, strippers and dommes have been staples of the silver screen. Cinematic sex workers are punchlines, cautionary tales or fantasy figures. They are brutalized, killed off, sometimes rescued and almost always represented as if no sex worker is in theater. Even in documentary films such as Born Into Brothels (2004) or Tricked (2013), reality is distorted by filmmakers (almost always non-sex workers), who are determined to show trauma, violence and pathos rather than the resilience, successes, and thriving communities that are the norm for many sex workers. THE CELLULOID BORDELLO brings sex workers to the theater. With equal parts historical overview, critique, and homage, the film lets real life dommes, escorts, porn stars and hustlers tell you which films they love and which they hate, which get it right and which miss the mark and, most importantly, how perpetuating stereotypes in media affects real peoples' lives. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 546 | |a In English | ||
| 650 | 0 | |a Feminism. | |
| 650 | 0 | |a Gender identity. | |
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| 700 | 1 | |a Piccillo, Juliana,|e film director. | |
| 700 | 1 | |a Sprinkle, Annie,|e actor. | |
| 700 | 1 | |a Kalamka, Juba,|e actor. | |
| 700 | 1 | |a Brewster Nguyen, Natalie,|e actor. | |
| 700 | 1 | |a De Villiers, Nicholas,|e actor. | |
| 700 | 1 | |a Lei, Sammie,|e actor. | |
| 700 | 1 | |a Harlot, Scarlet,|e actor. | |
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