The Criterion Collection (Firm)

Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s *8 ½* (*Otto e mezzo*) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for *8 ½* was "The Beautiful Confusion," and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act. Winner of two **Academy...

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom. Nominated for Best Writing - Story and Screenplay at the 1956...

Hailed around the world as one of the greatest movies ever made, the **Academy Award–winning** BICYCLE THIEVES, directed by Vittorio De Sica, defined an era in cinema. In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for work, is stolen. With his young son in tow, he sets off to track down the thief. Simple in construction and profoundly...

Winner of both the **Academy Award** for best foreign-language film and the **Cannes Film Festival’s** Palme d’Or, Marcel Camus’ Black Orpheus (Orfeu negro) brings the ancient Greek myth of Orpheus and Eurydice to the twentieth-century madness of Carnival in Rio de Janeiro. With its eye-popping photography and ravishing, epochal soundtrack, Black Orpheus was an international cultural event, and it kicked off the bossa nova craze that set hi-fis...